Never Give a Sucker an Even Break

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

Hearts of the West

Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried to rob him.

A Chef in Love

The story of Pascal Ichak, a larger-than-life French traveller, bon vivant, and chef, who falls in love with Georgia and a Georgian princess in the early 1920s. All is well until the arrival of the Red Army of the Caucasus, as the Soviet revolution that has swept Russian comes to Georgia. Told as a flashback from the present, as a French-Georgian man whose mother was Pascal's lover translates his memoirs for Pascal's niece.

Watermelon

In Georgia, in the middle of a desert, on the hottest day of summer two water-melon sellers cross paths.

5-25-77

Alienated, hopeful-filmmaker Pat Johnson's epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.

Killed Alive

Three film students attempt to make a horror movie 'blockbuster', but their Hollywood plans get derailed when their very own horror movie slasher escapes the chains of film and script and springs into reality to cause chaos and mayhem upon their neighbourhood on Halloween night. Now its up to these teenage misfits to put end to their film mascot come to life while also attempting to save those who ridiculed their creative visions.

Lest You Forget

Untitled Summer Film Project

A group of high school boys attempt to create a movie during the summer before college starts and before they go their separate ways.

You Do the Best You Can

Follows Roy Andersson around different film festivals as he tries to launch his new film "Songs from the Second Floor" mixed with interviews with family members and colleagues.

Movies Are My Life

The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.

Labor rhythms of Checheno-Ingushetia

Documentary film about the labor activity of residents of Chechen-Ingush ASSR

Caucasian Gates

Short documentary about the Georgian Military Road. Captures Ingush and Ossetian settlements of the early 20th century

In the city of Ordzhonikidze

Documentary film about Ordzhonikidze (now Vladikavkaz)

Cantinflas

Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.

John Ford Goes to War

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Live, song, live!

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.